主演:乌维·奥森耐特Uwe Ochsenknecht 艾莱娜·索菲亚·里奇 米罗斯拉夫·奈麦克Miroslav Nemec
导演:马里雅恩·D·瓦加达Marijan David Vajda
简介: 矿山主马格司和她的妻子朱丽深知一定要在钻石发光之前找到它们.朱丽认为唯一能使自己继续生存下去的方法就是离开她的丈夫.朱丽逃往柏林.马格司请求他的好友托马司代替他去将妻子找回.出于朋友的友情以及对于朱丽的那份隐藏在心底的久未褪去的爱意.托马司同意了朋友的请求.托马司找到了朱丽并尾随其到了南非.最终朱丽说出了真相:马格司得到了一块能够带来权利,财富,平安的护身符.此次朱丽将护身符偷出准备物归原主.马格司正在竭力将它追回.
主演:斯特凡·乌赫尔 米洛斯·福尔曼 Jaromil Jireš 帕维尔·祖拉契克 扬·施密特 埃瓦尔德·朔尔姆 Jan Němec 伊凡·帕瑟 Karel Kachyňa 杨·卡达尔 艾尔玛·克洛斯 奥塔卡·瓦夫拉 维拉·希蒂洛娃 Jiří Menzel 朱拉·亚库比斯克 拉吉斯拉夫·黑尔格 Jiří Krejčík Eduard Grečner 法兰提塞·维拉席 Karel Vachek 尤拉伊·赫兹 德拉侯米拉·维哈诺瓦 Hynek Bočan Dušan Hanák 伊洛·哈维塔 沃依采克·雅斯尼
导演:马丁·舒利克
简介: The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. Part 1 comments on: ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher ■"Konkurs" ("Audition," 1963) by Miloš Forman ■"Křik" ("The Cry," 1963) by Jaromil Jireš ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel Part 2 comments on: ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko ■"Stud" ("Shame," 1967) by Ladislav Helge ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček ■"322" ("322," 1969) by Dušan Hanák ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
主演:卢博米尔·贝奈斯 Ivo Kaspar Emil Nedbal Jiri Nemec Jan Rokyta
导演:扬·斯维拉克
简介: It's a wonderful spoof documentary following a team on its quest for the oil gobbler, an animal that has evolved to be the perfect denizen of a polluted world. Loathed by the locals for its voracious habit of eating anything plastic, from wellington boots to the protective sleeves farmers put round their saplings to prevent them being eaten by other animals, the ropaci is an elusive specimen and has the team - and thus the audience - intrigued. Finally, they catch it on film - and then manage to capture a young one that they want to take back home with them. The perils of their journey from the pollution-ridden Bohemian basin back through the clean, fresh air of the forest prove too much for the little creature and they come up with an ingenious way of saving it.
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